This skill validates character arc development throughout a screenplay. Covers positive, negative, transformational, and flat arc types with examples from classic films like Tootsie, The Godfather,...
Apply this skill when:
A character arc is the status of the character as it unfolds throughout the story, the storyline, or series of episodes. Since the definition of character arc centers on the character, it is generally equated as the emotional change of the character within the narrative.
Characters begin the story with a certain viewpoint and, through events in the story, that viewpoint changes. Often this change is for the better, but it can also be for the worse or simply different.
Character overcomes a flaw or limitation.
Character succumbs to a flaw or becomes worse.
Character becomes fundamentally different (neither better nor worse).
Character doesn't change but causes change in others.
## Character Arc: [CHARACTER NAME]
### Starting Point
VIEWPOINT: ___________________________________
BELIEF: ___________________________________
FLAW/LIMITATION: ___________________________________
STATUS: ___________________________________
### Event 1: [Page ___]
What happens: ___________________________________
Impact on viewpoint: ___________________________________
### Event 2: [Page ___]
What happens: ___________________________________
Impact on viewpoint: ___________________________________
### Event 3: [Page ___]
What happens: ___________________________________
Impact on viewpoint: ___________________________________
### Midpoint Shift: [Page ___]
What changes: ___________________________________
New direction: ___________________________________
### Event 4: [Page ___]
What happens: ___________________________________
Impact on viewpoint: ___________________________________
### Dark Night/Crisis: [Page ___]
Lowest point: ___________________________________
Confronting truth: ___________________________________
### Ending Point
NEW VIEWPOINT: ___________________________________
NEW BELIEF: ___________________________________
FLAW RESOLVED/EMBRACED: ___________________________________
NEW STATUS: ___________________________________
### Arc Assessment
TYPE: [ ] Positive [ ] Negative [ ] Transformational [ ] Flat
DEGREE OF CHANGE: [ ] Dramatic [ ] Moderate [ ] Subtle
BELIEVABLE: [ ] Yes [ ] No - Why: _______________
Track multiple character arcs across the three-act structure:
| Character | ACT 1 Status | ACT 2 Status | ACT 3 Status | Arc Type |
|-----------|--------------|--------------|--------------|----------|
| | | | | |
| | | | | |
| | | | | |
| | | | | |
Unlike a story arc, the character arc is not confined within the limits of one story. The character arc may extend over to the next story, a sequel, or another episode.
Over the course of the trilogy, Anakin Skywalker goes from:
## Series Arc: [CHARACTER NAME]
### Episode/Film 1
Starting point: ___________________________________
Ending point: ___________________________________
### Episode/Film 2
Starting point: ___________________________________
Ending point: ___________________________________
### Episode/Film 3
Starting point: ___________________________________
Ending point: ___________________________________
### Overall Arc
TRANSFORMATION: From _______________ to _______________
Does the character change?
Is the arc visible?
Is the arc necessary?
Is the arc believable?
Does the arc resonate?
| Problem | Symptom | Solution |
|---|---|---|
| No arc | Character same at end | Add transformative events |
| Rushed arc | Change feels unearned | Add more building events |
| Invisible arc | Change happens off-screen | Show the moments of change |
| Wrong arc | Character changes in unrelated way | Align arc with theme |
| Abandoned arc | Arc starts but doesn't complete | Follow through to resolution |